I’ve highlighted below some of my key works and concepts from my second year at Turps in London. The course has brought me extraordinary joy and boosted my confidence to carry on. You can see my older work elsewhere on the site.
Some of the works below are in progress, some are finished and framed and others are just explorations which may or may not make it. I’ve got 20+ works on the go and have 200+ ideas, but as I only paint part time I have to make tough choices on what to actually create and commit to.
In the last few days I have had an offer to get limited edition prints of some of my work into a craft market and earlier this year I was approached by an art dealer to potentially go onto their books. I’ll explore these options after I finish my second year.
Finished works.
Over the last year I have been experimenting not just with my traditional hard-edged acrylic work, but adding in found objects and mixed media, including sand, glue, pencil, tape and varnish plus adding washes. I’ve also experimented with sponges and blotting with paper (see ‘D of the B of the Bang’ below. I plan to do another year at Turps.

072 | “Nah mate” Acrylic & varnish on birch timber board, charcoal surround

073 | Chesil Beach - Found Object | Mixed media: driftwood, acrylic support, acrylic paint, varnish, mounted in a box frame | Aug 2023

079 | Neo 001 | Acrylic and varnish on unprimed raw canvas & solid oak frame | 66cm x 66cm | 25 Nov 2023

080 | Linear Spectrum | Acrylic on canvas with indigo board in mock black ash frame | 43cm x 53cm | Dec 2023

081 | Braindump 2 | Approx 1000 Used 'Super Sticky' Post-it Notes of actual things I've done | 17 January 2024

082 | Portals | Acrylic paint on deep canvas | 50cm x 50cm | 26 Jan 2024

083 | D of the B of the Bang | Acrylic paints, done with brushes, sponges, wet paper & acrylic white wash; deep-set black frame | 86cm x 63cm |28 Mar 2024. B of the Bang was a spectacular piece of public sculpture in Manchester. Sadly it suffered massive structural issues and rather than be fixed or rebuilt, we were all aghast as our insane Council demolished it. So my piece is “Demolition of the B of the Bang”. Here’s my homage with the acrylic paint now dry. Pseudo abstract in style, zoom in and the brush marks denote some light texture on the steel - achieved by not mixing the grey paint properly, so that I got slight stripes and I curved the brushstrokes; the sky: extremely experimental, done with brushes, sponges, wet paper and a white wash.

084 | Waterhouse Column: work in progress

084 | Waterhouse Column | 42x59cm | Acrylic on birch panel, timber support & black spacer shadow gap | March_2024

085 | “PARTY TIME!!!!” | Mixed media on birch panel: primer, acrylic, sand, glue, tape. Charcoal black mount | 54cm x 54cm | April 2024
Concept works (digital renders).
The following ideas come from a mix of sources; over the last year I have found interest in the nostalgia and happy memories of favourite foodstuffs from when I was small. I’ve started a couple of them as canvases and still working through the rest, either tweaking on impulse or because of mentor guidance (the food abstractions below still need further tweaks before painting).
I also mocked up my soon-to-be-flattened former Uni campus. It’s a concrete mess to some (which is how I viewed it back in the day) and a Modernist utopia to others (which I now appreciate). The first image is a replay of a previous piece of work I did, with an added twist: my thin lines on my original (“Homage to Fromage”, which is in the On Canvas section of this site) were along the lines of something Mondrian might have done. My new take on it adds a new weight and heft from Max Bill.
Scroll through the gallery for a nosey at my concepts; feedback welcome!
Mixed media experiments.
A year ago I attended a slightly bonkers and very enjoyable 2-day mixed media course by Hazel Battersby in York. Some of the 50+ pieces I created are sampled below. I have dusted them off because of a renewed interest in the topic and am spying ways in which I might start to meld the rigid authority of hard-edged painting with the crazed world of mixed media. . .